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...home of Harvard’s bureaucracy and UHS, the Holyoke Center boasts an outward appearance as unpleasant as the experiences one can have inside it. This was Spanish modernist architect Josep Lluís Sert’s first contribution to Harvard, and one can only wish he had stopped there. Sadly, he didn’t, and his buildings populate 3/5 of this list...

Author: By Rachel A. Burns, Jeffrey W. Feldman, Ama R. Francis, Jessica R. Henderson, Joshua J. Kearney, Eunice Y. Kim, Chris R. Kingston, Ali R. Leskowitz, Beryl C.D. Lipton, Monica S. Liu, Ryan J. Meehan, Antonia M.R. Peacocke, Erika P. Pierson, Bram A. Strochlic, Mark A. VanMiddlesworth, and Denise J. Xu, CRIMSON STAFF WRITERS | Title: Editor's Picks 2009 | 12/4/2009 | See Source »

...Square has seen its share of blank windows and dark buildings. But, at least for a few more months, the most conspicuous storefront in the Square will light up Brattle St. with bold frocks, patterned cushions, quirky furniture, and floor-to-ceiling tapestries. The exhibit, under the direction of architect Jane F. Thompson, celebrates the fortieth anniversary of the glass and concrete edifice at 48 Brattle Street. Thompson’s late husband Benjamin C. Thompson designed the iconic building in 1969 as headquarters for Design Research, a home furnishings and design company the couple founded together...

Author: By Shan Wang, CRIMSON STAFF WRITER | Title: New Exhibit Celebrates Retro Designs | 12/2/2009 | See Source »

...which runs there until Jan. 25. It's a collective of fierce individuals and a continuing work in progress. But while the school may have been a group enterprise, it was largely the creation of one man. In 1919, the year it opened, Walter Gropius was a young German architect recovering from dual traumas--World War I and his turbulent first marriage to the formidable Alma Mahler. One of history's supreme narcissists, she betrayed her first husband, composer Gustav Mahler, by having affairs with both Gropius and painter Oskar Kokoschka. After Gustav's death, it was Gropius...

Author: /time Magazine | Title: Haus Beautiful: the Impact of Bauhaus | 11/23/2009 | See Source »

...when Gropius and Alma finally divorced, the exhausted architect was more than ready to turn the page. He had been invited years earlier to form an arts academy out of two existing schools in Weimar, the charming, tradition-minded little city where Goethe had lived. But very little about the school Gropius had in mind would be traditional. Instead of teaching students to imitate great works of the past, the Bauhaus entry course explored fundamentals like the material properties of wood and metal or how colors and forms operated within an image. Instead of focusing on painting and sculpture...

Author: /time Magazine | Title: Haus Beautiful: the Impact of Bauhaus | 11/23/2009 | See Source »

...restarts and halts followed. Shanghai officials also fretted over the design, which called for a large circular hole to be cut through the top of the building to relieve the force of strong winds. The feature would too much resemble the rising sun of the Japanese flag, they argued. Architect David Malott concocted a trapezoidal cutout instead, giving the building a striking resemblance to a bottle opener. But "it's dramatic in its own way," he says. And how. Today, that crowning trapezoid is home to (what else?) the world's tallest observation deck. You can drop to a crawl...

Author: /time Magazine | Title: The Shanghai High Life | 11/18/2009 | See Source »

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