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...catalog): Evening in the Studio. It shows the inside of the artist's London workplace, a medium-size and undistinguished room with blotched walls. There is an iron bed on whose thin, lumpy mattress a whippet sleeps. Next to the bed is a scrawny- looking girl with an angular face, sewing an ornate piece of Indian cotton whose green and red whorls cascade over her lap like the tendrils of an exotic plant, out of place in the drab surroundings. But it is not these things you notice -- not, anyway, at first...

Author: /time Magazine | Title: The Fat Lady Sings | 12/27/1993 | See Source »

...slightly dippy king who craves the answer to a riddle ("Why is your head gray and your beard black?"), the humble but clever man who provides it and the nasty court counselor who is jealous. Humility prevails and spin-doctoring fails, as invariably happens in stories. The author's angular tempera illustrations are vivid and funny -- the camel on which the king perches is an unusually thoughtful and sardonic beast -- but the somewhat preachy story doesn't add much...

Author: /time Magazine | Title: Where Wild Things Roam | 12/20/1993 | See Source »

...career to take the job, has been starring on Broadway this season as the eldest of The Sisters Rosensweig, a role that brought her a sixth Tony nomination (she has won a Tony and an Emmy and been nominated for the Oscar four times). Tall and stately, with angular looks that let her play glamorous or plain, she specializes in emotionally austere drama but offstage is fun loving and approachable. She is living proof of the dividends that grants can pay. She vaulted into prominence playing the white girlfriend of black boxer Jack Johnson in The Great White Hope...

Author: /time Magazine | Title: An Artist to Plead for Art | 8/16/1993 | See Source »

...whole untouched by melancholy. It is also more generalized in treatment. In a large painting like Island Farmhouse, 1969, the white weatherboard asserts itself in a blast of light like a Doric temple; the lines of shadow are a burning visionary yellow; everything, from the angular dog to the ragged trees, is seen in sharp patches, and yet one's eye feels bathed in atmosphere, all the way out to the blue island on the remote horizon. As in all Porter's best paintings, the structure is locked together by affinities of shape, natural rhymes of form and color...

Author: /time Magazine | Title: Art: Fairfield Porter: Yankee Against the Grain | 7/12/1993 | See Source »

Somehow Pat Nixon never quite captured the fancy of the American public. The cameras that caught the angular planes of her face missed the soft contours of her heart. Her Republican, cloth-coat persona was no match for the glamour of her predecessors: Jacqueline Kennedy, international trendsetter, and Lady Bird Johnson, poetic beautifier of highways. But most likely it was because Pat Nixon stood by her man in the best Tammy Wynette fashion. And from his ambitious first days in politics to the catastrophic final days, her man could not shake the visceral distrust of the public and the media...

Author: /time Magazine | Title: Pat Nixon: The Woman in the Cloth Coat | 7/5/1993 | See Source »

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