Word: angular
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Dates: during 1950-1959
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...judgment is harsh and crude. Instead of mixing his colors, Memling laid them on pure and thin in overlapping glazes. As a result, the picture seems to glow from within. Its narrow space recedes dramatically to the tiny figure of King David peeping from his terrace. The severely angular composition contrasts artfully with Bathsheba's soft curves...
...first Charley combined baby-sitting with her painting, turned out glowing portraits of her own children. But she got bored with the soft outlines and warm colors of the nursery, went outside into the cold, hard northern light. Soon she was doing angular, boldly drawn studies of Dutch cities, and sculptural, hard-bitten portraits of Rotterdam prostitutes, rugged Low Country peasants and miners as well as artists and intellectuals...
Enwonwu's ancestors carved for magic purposes, not for exhibition. They gave force to their whittled gods by using many of the tricks of modern art: violent distortion of figures into angular cubistic shapes, mingling of naturalistic features with wholly abstract ones, the surrealist shock-value of giving vaguely human figures some of the attributes of animals and birds. The results struck at least one art historian, Roger Fry, as "great sculpture-greater, I believe, than any we have made...
...second concert in the festival's survey. The audience was lulled into false security with some Haydn and Mozart quartets, then given the business: Walter Piston's new (1949) piano quintet, with Harris' wife Johana ("Lady Jo") at the piano. Written in modern idiom, with awkward, angular intervals, grating harmonies and jolting semi-jazz rhythms, it left its listeners bewildered and politely awed. When it was over, the audience stood up (applause in the chapel was ruled out) to show its reverent appreciation...
Like so many monks, the boys of Eton and Harrow had practiced for weeks, preparing fair copies of Wordsworth's sonnet, Upon Westminster Bridge. The Etonians leaned heavily to 16th Century chancery-a tight, slanting, angular style brought by Vatican scribes to Elizabethan England, which avoids loops, keeps "t's" and "p's" short, uses a broad pen for contrasting thick and thin strokes...