Word: anderson
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...Anderson has spent a decade as one of America’s most important filmmakers, and the better part of that same decade shaking the good will earned by the films that gave him his reputation. Anderson’s characters—idiosyncratic, often emotionally opaque and depressive—inhabit worlds whose visual splendor assumes the sentiment, both delicate and deliberate, of an auteur—his awareness of the history of cinema giving way to reverence and innovation in equal parts. His films identify with a generation still in turmoil over lost innocence and the transition between...
...Fantastic Mr. Fox” is a light, lovely, and clever comedy that finds the director’s vision coinciding with pure entertainment for the first time in years. A stop-motion animated riff on Roald Dahl’s classic book, the film reunites Anderson with frequent screenwriting collaborator Noah Baumbach (director of “The Squid and the Whale”), casting George Clooney as the title character in a war for land and life against a trio of demonic factory-farmers. Clooney is the latest in a line of charismatic paterfamilias—common...
...asks—merely those of an open mind—the film has considerable mileage. “Fantastic Mr. Fox” is a small wonder of mise en scène, richly crafted and painstakingly choreographed, allowing for the total control over composition to which Anderson always seemed to aspire in his earlier films. Anderson’s decision to shoot an animated film comes as no real surprise. It’s the natural end of a fascination with vibrant color schemes in his films in general—a runoff from his French New Wave...
Live actors in a Wes Anderson movie put on a sort of theater of artifice; faces become masks, from behind which the humanity of a character can either struggle or fail to emerge. Perhaps the greatest failure of “The Darjeeling Limited” was in reversing this formula instead of developing on it. But the utterly blank faces of Fox, his family, and friends—posturing, wry, flummoxed, or brooding countenances as they fit their respective characters—allow for development that’s left totally up to the script. Fox?...
...more specialized fare, Wes Anderson's stop-motion-animation delight Fantastic Mr. Fox, with George Clooney contributing his voice to the Roald Dahl children's classic, purloined a so-so $7 million in its first weekend of wide release; it earned about the same per-screen average as the much feebler animated feature Planet 51. The Road, with Viggo Mortensen enduring many a hardship in the film version of Cormac McCarthy's post-apocalyptic novel, took in a sturdy $1.5 million at 111 theaters, to finish a mere $10,000 behind Clooney's 10th-place The Men Who Stare...