Word: alienated
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Dates: during 1970-1979
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...Alien begins with a succession of long, slow pans through a spaceship, like 2001 without the Strauss. I was rocking in my seat with excitement: what movie would dare to have such a boring beginning if it weren't going to be scary as hell later? Unfortunately, those opening shots set the tempo for the whole film, with the alien's attacks serving as shrieking exclamation points...
...first murder is one of the most revolting yet put on film. It put me off my popcorn, and I'm not easily nauseated. Alien operates thereafter on our anticipation of similar blood and guts; the tension is totally mechanical and rather unfair. The movie proves witless, plotless, pointless, spectacularly unoriginal, and surprisingly cruel...
...cast is full of interesting character actors who have no chance to do their thing. Those who applaud Alien for featuring a "liberated, non-sexist" heroine-Signourney Weaver, who proves to be the strongest and most resourceful crew member--should take another look at her brawl with Ian Holm; at last we have a heroine sturdy enough to be elaborately bashed and pummelled, slammed and kicked with enough intensity to give sado-masochists wet dreams for millenia to come...
Director Ridley Scott stretches the movie out with assorted idiotic red herrings, the crew taking time out battling the monster to look for the ship's pet cat, Jonesy. As for the undulating ectoplasm known as the alien, you wonder why the crew isn't wearing lobster bibs. Somebody clearly had a good time putting it together--pouring on the blood, slime, and animal intestines--but the fun as all his. Actually, in its last scene the alien does exude a little personality, curled up in the corner of a space shuttle cleaning itself off, smacking its lips, coming...
...Unlike Alien, where the cast is confined to monosyllables, the characters in Prophecy talk. A lot. Long time. Enough exposition for five giant monster movies. Everybody has a point of view; so did I--I munched my popcorn and thought about the blonde three rows down. When it comes to mixing horror and blatant social criticism, I prefer Godzilla vs. The Smog Monster...