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Word: alien (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...this the pinnacle of Scott's luscious style or a parody of it? Maybe it's the spectacle of a director running for cover. Scott's last hit was Alien, a decade ago; these days his brother Tony directs the blockbusters (Top Gun, Beverly Hills Cop II). So Black Rain catches a gifted imagist between inspirations, biding his time without quite wasting ours...

Author: /time Magazine | Title: Cinema: Bakelite In Heat | 10/2/1989 | See Source »

...servitude, then from the wrath of a cousin to whom she was betrothed in childhood. At last, impulsively, he vows to save her from the coming chaos. His heart is good, but his head is clouded: he has no thought for the practical realities of her future in an alien land, only for the sweet moment of his own chivalry. Even that fails. In this revamping of Madama Butterfly, Chris cannot get to Kim before heading home...

Author: /time Magazine | Title: Theater: Dream Turned Nightmare | 10/2/1989 | See Source »

...This alien world we enter is shown as both merging into the American experience, and as illuminating its more familiar elements. In an Indian neighborhood of New York City, insulated with Hindi video stores and Punjabi fabric shops, Jasmine stifles in an atmosphere of Old World nostalgia. In Iowa, lonely Grandmother Ripplemeyer appreciates Jasmine's Indian sense of strong family ties...

Author: By John P. Thompson, | Title: Weak Gravity in America | 9/23/1989 | See Source »

...Airplanes on the Roof is the story of a mentally ill woman's attempt to reconcile her own view of the world--rife with dissolving buildings, alien super-intelligence, and time travel--with the everyday world society is attempting to impose upon her. We sympathize with "M" (Betsy Aidem), as she conjures up our own fears of losing the ability to trust our senses and expresses our own desires to be accepted by society without having to compromise with...

Author: By Stephen J. Newman, | Title: Flying in the Face of Reason | 9/22/1989 | See Source »

...light, too, heightens the audience's sense that M has been cast adrift. Jerome Sirlin's innovative set makes use of a multitude of opaque and translucent screens upon which are projected images as diverse as primeval forests, alien spacecraft and New York City brownstones. The shifting patterns of light chase M around and dance with her in a malevolent pas de deux, whimsically trapping her and letting her go as her mood shifts from hope to despair. The light and sound join forces to overwhelm M, sometimes leaving her a helpless lump on the floor...

Author: By Stephen J. Newman, | Title: Flying in the Face of Reason | 9/22/1989 | See Source »

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