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...Like millions of people in my generation, I experimented with psychedelic drugs. I had both positive, incredible, revelatory—can I say—mystical experiences. I also had soul-terrifying, damaging experiences, which I write about in the afterword. I think what is important is not the experiences people had on these drugs, which can be a trip to heaven or a trip to hell, but what you do with these experiences. Does it make you a better person, more aware, compassionate, less egocentric? These four men all did that in their own way. Their experiences influence...

Author: By Michelle B. Timmerman, CRIMSON STAFF WRITER | Title: Hey, Don A. Lattin! | 2/4/2010 | See Source »

Beedle is, as advertised in Deathly Hallows, a small book - 111 pages, and that's with an introduction, an afterword, triple spacing and margins into which you could fit a Hungarian Horntail. None of the stories in it are bad - I don't think J.K. Rowling knows how to be less than charming in print - but they do vary in quality. The first tale, "The Wizard and the Hopping Pot," is the worst, a grimly heartwarming trifle about how you should be nice to Muggles. "Babbitty Rabbitty and Her Cackling Stump," a variant on the emperor's new clothes...

Author: /time Magazine | Title: J.K. Rowling's Beedlemania | 12/5/2008 | See Source »

...afterword to Lolita, Vladimir Nabokov astutely observed that "reality" is "one of the few words which mean nothing without quotes." He was arguing that any event is channeled, distorted, enriched by our perspective--that there's no objective reality, really. Nabokov was writing in 1956, just before the film form called cinema verité proved that even truth-seeking documentaries could have a social agenda and decades before shows like The Real World, Survivor and Big Brother made "reality TV" a phrase that is meaningless without sarcasm. Today, with reality programs using scriptwriters and dramas going for that realistic shaky...

Author: /time Magazine | Title: A Year with American Teens | 7/24/2008 | See Source »

...Afterword to Lolita, Vladimir Nabokov wrote that one of the subjects taboo to American publishers was that of "the total atheist who lives a happy and useful life, and dies in his sleep at the age of 106." New Line, having invested something like $180 million in The Golden Compass, is similarly scared of its antireligious content. The company that boldly greenlighted Peter Jackson's $300 million Hobbit ambitions before a frame of the first movie was shot, and made billions from riding that risk, hasn't said yes to films two and three of the Pullman books - although...

Author: /time Magazine | Title: What Would Jesus See? | 12/8/2007 | See Source »

...analyze and critique: the disappearance of the vernacular, the spreading of homogeneous suburbs and corporations, and, finally, the decaying inner cities left behind. Empty shop windows, Levittowns, and boarded-up apartment buildings tell the story. According to William L. Fox, the author of the first essay appearing in the afterword, the inner city is ruinous and local businesses are disappearing as a direct consequence of the spread of suburbia. As the tax base rushes to new localities in the hope of peace and quiet, they leave no incentive for investment in the core of the city. As America has slowly...

Author: By Anna I. Polonyi, CONTRIBUTING WRITER | Title: TOME RAIDER: Approaching Nowhere | 12/7/2007 | See Source »

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