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Phillips had a special feeling for the artists of his own time, early bought John Marin, financed U.S. Abstractionist Arthur Dove with a monthly check from the 1930s to the artist's death in 1946. In later years, Phillips' taste moved on to such U.S. moderns as Pollock, Motherwell and Rothko, bought each for his own merits. "There are no schools or movements worth a moment's attention," Phillips maintained. "There are only true artists and pretenders...

Author: /time Magazine | Title: Art: Double Loss | 5/20/1966 | See Source »

...Boulevard. In his four months on the job, Ceausescu has also provided liberation of sorts to Rumanian life. Noting that "diversity of style is peculiar to art and literature," he has gone even farther than Dej in freeing Rumanian artists from strict socialist realism. Abstractionist vernissages are blossoming along Bucharest's fashionable Boulevard Magheru, and even top party people can be seen carting home a nonobjective painting. Kafka is all the rage, and more American movies than Russian are running in Bucharest's cinemas; the Broadway play Rhinoceros was a theater season sellout, and not just because lonesco...

Author: /time Magazine | Title: Rumania: The Docile Guests | 7/30/1965 | See Source »

First there was pop, then the trend setters opted for op, but as the new acquisitions show at Manhattan's Whitney Museum demonstrates, still another category is called for. Old-line Geometric Abstractionist Ad Reinhardt suggests "ob"-from object-and it embraces any object, image of one, or whatsit that might amuse museum directors or titillate collectors. Examples of ob art offered at the Whitney include...

Author: /time Magazine | Title: Museums: Enter Ob | 6/11/1965 | See Source »

Many of today's artists prefer to call their unlikely likenesses "interpretations" rather than portraits. Abstractionist Hugo Weber became friends with Mies van der Rohe while they both were teaching at the Illinois Institute of Technology. Not until 15 years later did Mies permit a portrait, and then Weber had to sketch while the architect worked at his desk. The blue of Mies's habitual business suit pervades a shoulder-swaying pose as slashing as icy spindrift. Weber still does not know if his subject was pleased, but Mies did buy one of his oils and three drawings...

Author: /time Magazine | Title: Painting: Unlikely Likenesses | 3/26/1965 | See Source »

...reaction was shared by urbane Semi-Abstractionist Rufino Tamayo who did the cover portrait.* Instead of the flamboyant, movie-star type he had envisaged, the artist found his subject "a most unglamorous girl of marvelous simplicity. From the beginning," he recalled of the sittings in his Cuernavaca weekend home, "she said we should talk in English because her mother was English and she preferred the maternal tongue. It was her own delightful way of telling me what I already knew-that my French is preposterous." He was delighted that Jeanne agreed to informal sittings, without makeup or hairdo, "because...

Author: /time Magazine | Title: A Letter From The Publisher: Mar. 5, 1965 | 3/5/1965 | See Source »

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